Mark Jenkins
Mark Jenkins reviews movies for NPR.org, as well as for , which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.
Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.
He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station -FM.
Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.
He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.
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Tom Schilling plays a German painter clearly modeled on Gerhard Richter in this melodrama about the lingering costs of war and the ways they inform both art and artist.
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As Elvis and Nixon respectively, Michael Shannon and Kevin Spacey don't attempt impersonations, but with varying degrees of ham (more in the former case than the latter), they tell a strange story.
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Criminalis the second film in a year that separates mind from body when it comes to poor, gorgeous Ryan Reynolds. In this case, his mind goes in Kevin Costner.
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A war photographer's death leaves behind a family of men battling their own demons in the unusually structured film from Norwegian writer-director Joachim Trier.
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Director Alexander Sukurov blends the real history of the Louvre with a fictional tale of a ship under threat while considering the fate of art and the costs of war.
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Tom Hiddleston does his own singing in the story of a country music legend, but the film strains to get its figurative arms around the man's complicated legacy.
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Twenty years after the first time we met writer-director Arnaud Desplechin's protagonist, we leap backward in time to visit with him as a younger man.
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Enigmatic writer-director Terrence Malick returns with Knight Of Cups, which bears a strong resemblance to his last two films, Tree Of Lifeand To The Wonder.
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This Colombian nominee for the Oscar for best foreign-language film is loosely based on the journals of two real explorers and creates a story in which they spend decades seeking a sacred plant.
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Chinese writer-director Jia Zhangke follows his characters from 1999 all the way forward to 2025, where a sun-bleached tomorrowland threatens alienation from tradition.