Fresh Air

News & Talk Stations: Mon - Fri, 7 - 8 pm
  • Hosted by Terry Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

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Wash. Post reporters Carol Leonnig and Philip Rucker discuss presidential rages, erratic decision-making and other troubling tendencies of the Trump presidency. Their new book is A Very Stable Genius.

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DAVE DAVIES, HOST:

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DAVE DAVIES, HOST:

The third Monday in January is a U.S. federal holiday honoring the late civil rights leader Martin Luther King Jr., but two Southern states — Alabama and Mississippi — also use the day to celebrate Gen. Robert E. Lee, commander of the Confederate forces during the Civil War.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

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DAVID BIANCULLI, HOST:

The first foreign filmmaker I ever heard of was Federico Fellini. Back then, he was an international brand name, and aside from Hitchcock, probably the most famous director in the world.

DAVID BIANCULLI, HOST:

Seven Worlds, One Planet, BBC America's new big-budget, big-scope documentary series, devotes one episode to each of Earth's continents — beginning with an episode devoted to Australia.

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TERRY GROSS, HOST:

TERRY GROSS, HOST:

This is FRESH AIR. After winning the Golden Globes for best motion picture, drama and best director, the new war movie "1917" opened wide this past weekend to a strong box office, and on Monday, it received 10 Oscar nominations. Set over two days during World War I, the movie follows two English soldiers trying to stop an impending attack and save the lives of their comrades. Film critic Justin Chang has this review.

Growing up in New York City's Little Italy, as a kid, filmmaker Martin Scorsese spent a great deal of time surrounded by images of saints and martyrs at St. Patrick's Old Cathedral.

"Those images certainly stayed with me," he says. As did the sermons, which often focused on "death approaching like a thief in the night. You never know when. You never know how."

It was over a year ago that I began to hear off-the-charts recommendations from trusted booksellers about a novel called American Dirt, by Jeanine Cummins. The novel's circle of admirers has since swelled to include the likes of Stephen King, Sandra Cisneros, John Grisham and Julia Alvarez.

Such a disparate line-up of blurbs signals what an unusual creature American Dirt is: It's a literary novel, to be sure, with nuanced character development and arresting language; yet, its narrative hurtles forward with the intensity of a suspense tale.

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