A Minute with Miles

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How did the piano get its name? Why can’t you “reach” a crescendo? Who invented opera—and why—and how do you pronounce “Handel”? These and countless other classical music questions are answered on South Carolina Public Radio’s A Minute with Miles. Hosted by longtime NPR commentator Miles Hoffman, the segments inform and entertain as they provide illuminating 60-second flights through the world of classical music. 

There’s no such thing as a “short history of opera.”  Well… there is a famous college textbook called A Short History of Opera… but it’s 800 pages long.  I will tell you this historical note about opera, though:  it was invented – that’s right, invented – in the late 1500's in Florence, Italy.


Dec 2, 2014

Stradivarius is the Latinized last name of Antonio Stradivari, often regarded as history’s greatest violin maker.  Stradivari was Italian, but on the paper labels he glued inside his violins he gave his name as Antonius Stradivarius.

Violin Versus Fiddle

Dec 1, 2014

What’s the difference between a violin and a fiddle? Well, I’ve heard it said that a violin has strings, and a fiddle has “strangs.”  But in reality, violin and fiddle are just two different words for the same instrument.

It was a fad that brought the BASS DRUM, CYMBALS, and TRIANGLE to Europe. The fad was for a kind of Turkish military music known as Janissary music. The Janissaries were the personal guard of the Turkish Sultans, and they were famous for their bands, which featured the bass drum, cymbals, triangle, and an instrument of bells and jingles called the Turkish crescent.

Bad Conductor

Oct 8, 2014

Yesterday, we talked about good conductors.  Today, let's talk about bad conductors.  Some bad conductors or unimaginative, or uninteresting.  And others are just not very gifted; even when they have good ideas, they have difficulty communicating them.  Some may even put on an extravagant physical show, but without necessarily showing much that's useful to the members of the orchestra.  Other conductors are unprepared or undependable.  Good orchestras try to ignore bad conductors, and in fact, it's not uncommon for good orchestras to rescue bad conductors- to play passages of music correctl

Good Conductor

Oct 7, 2014

What makes a good conductor?  Well, musical imagination and intelligence certainly come first since there's no point in trying to communicate with an orchestra without ideas worth communicating.  An excellent ear is essential, both for judging overall results and for pinpointing specific problems.  And so is a rock-solid sense of rhythm.  A good conductor must also have a certain physical grace, or at least coordination in order to produce a clear beat and musically meaningful gestures.  And it almost goes without saying that a conductor will have enough personal presence to be a convincing

Canon Round Catch

Oct 6, 2014

A Canon, with one "n" in the middle, is a composition with two or more voices or parts in which a melody is first stated in one voice and then imitated in another.

Prima Donna

Oct 2, 2014

Prima donna, Italian for “first lady,” refers to the leading lady in an opera, the singer of the principal female role.  The term has been in use since the 1600s, the earliest days of opera, and by the 1700s it was already associated with the artistic and commercial cult of the glamorous leading lady… and with singers who were monumentally demanding egomaniacs—to put it politely.

Brass Instruments

Sep 30, 2014

Brass instruments are wind instruments and although they may be coiled or bent in different shapes, all brass instruments consists essentially of a very long metal tube.  If you straightened out all the tubing on a French horn, for example, it would be about 17 feet long!  And the tubing of a tuba might be up to 26 feet long.  There are two main ways to play different notes, or pitches, on a brass instrument.  One is to change the actual length of the tube either using valves as on the French horn, trumpet, and tuba or a slide as on the trombone.  The longer the tube, the lower the note.  T

Narrative in Music

Sep 29, 2014

I once asked the composer Max Raimi what he thought of a certain other composer’s music.  He replied that her music had interesting sounds, and interesting textures, and interesting moments, but that it tended to lack three things that he considered very important: a beginning, a middle, and an end.

Chamber Music

Sep 25, 2014

Chamber music is music for small formations, from as few as two musicians to as many as nine or ten.  Chamber music rehearsals are very different from orchestra rehearsals.

Baroque Era

Sep 24, 2014

The Baroque era in Western music extends from about 1600 to 1750.  The earliest surviving opera was written in 1600, and the year 1750 serves as a convenient closing point because it marks the death of Johann Sebastian Bach, the greatest of all Baroque composers.

Classical Era

Sep 23, 2014

The Era of Haydn, Mozart, and Beethoven, running roughly from about 1775 to 1820, is known to musical historians as the Classical Era.  This era follows the Baroque period and preceded the Romantic.

Classical Music

Sep 22, 2014

Classical Music is not a precise term and how could it be when it's used as a label for music from countless styles, periods, and nationalities from the Gregorian chant of the 7th century to the diverse and unpredictable products of the 21st?


Sep 19, 2014

Caprice is the French and English version of the Italian word "Capriccio," which is from the Latin "caper" meaning goat.  Goats tend to caper about however it suits their fancy and in music, since the 16th century or so, caprice has been used for pieces in which composers follow their imaginations, their moods and whims, rather than strict rules.