Spoleto Backstage: Foote, Haydn, Beach, And Anthony Roth Costanzo
This episode of Spoleto Backstage showcases a 2012 chamber series program bookended by late Romantic American works. Opening with Arthur Foote’s A Night Piece, the concert also features Joseph Haydn’s Symphony No. 101 in D Major, “The Clock” (arr. Salomon) before concluding with Amy Beach’s Piano Quintet in F-sharp minor, Op. 67. Geoff Nuttall and Bradley Fuller talk about the selections and the backgrounds of those who wrote them ahead of the music itself.
Following the concert, Bradley speaks with countertenor Anthony Roth Costanzo about his recent engagements, from performing in the lead role of the Metropolitan Opera’s 2019-20 production of Philip Glass’s opera Akhnaten to keeping busy with a variety of projects which don’t involve performing before a live, in-person audience. Anthony also shares about his beginnings as a singer and how he envisions the future of the countertenor repertoire.
Attending a concert might be off the table right now, but you can relax just where you are as South Carolina Public Radio brings the concert to you with this podcast. Spoleto Backstage offers a curated lineup of phenomenal musical moments from past seasons of Spoleto Festival USA as chosen by violinist and chamber music series artistic director Geoff Nuttall. Geoff joins Bradley Fuller, host and producer of South Carolina Public Radio’s Sonatas & Soundscapes, for insights and fun conversations about how he picked his favorite performances form the past ten years. Geoff and Bradley also hear from some of the fascinating stars of the festival’s chamber music series, learning more about their careers, the music they perform, and a range of amusing behind-the-scenes happenings.
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