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  • A listener finds a brown water snake about to make a meal of a catfish...
  • The erebid moth Ascalapha odorata, commonly known as the black witch, is a large bat-shaped, dark-colored nocturnal moth, ranging from the southern United States to Argentina.
  • The fig beetle is native to moister areas of the American southwest, where its natural diet includes fruit from cacti and sap from desert trees. But, their range has expanded considerably since the 1960s with the increasing availability of home gardens, compost piles, and organic mulch.
  • A listener finds a bird that is he can't identify. That's because the juvenile's coloration is much different from the adult's.
  • River Alliance CEO Mike Dawson talks with Walter Edgar about how the Alliance has worked together with riverside communities, city and county governments, and many other organizations to create community resources along the Saluda, Broad, and Congaree rivers in the Midlands of South Carolina.
  • This week Bobbi Conner talks with Dr. Gerard Silvestri about the benefits of using circulating tumor DNA testing for some patients with certain types of cancer. Dr. Silvestri is the Hillenbrand Professor of Thoracic Oncology and he’s a Lung Cancer Pulmonologist at Hollings Cancer Center at MUSC.
  • Mike Switzer interviews FatRat Da Czar, co-founder and manager of The Boom Room Recording Studio in Columbia, SC.
  • Mike Switzer interviews John Warner, a serial entrepreneur whose insights are published online at Medium under the title “Control Your Destiny”. He is based in Greenville, S.C. Today’s topic: Next Venture Pitch.
  • Mike Switzer interviews Ben Ellsworth, chef, CEO, and co-founder of Gigpro in Charleston, SC.
  • On this edition of the South Carolina Lede for August 7, 2021, we speak with musicologist Eric Sean Crawford, director of the The Joyner Institute at Coastal Carolina University. Crawford's new book Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (2021, USC Press) traces Gullah Geechee songs from their beginnings in West Africa to their height as songs for social change and Black identity in the 20th century American South.
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