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gullah

  • Boo hags, haints and other spirits are found throughout Lowcountry Gullah folklore. A boo hag is said to use witchcraft to steal energy from the living while they sleep. They steal a living person’s skin and wear it to move among the world of the living without suspicion. In this episode of South of Spooky, hosts Gavin Jackson and A.T. Shire learn about boo hags and their connection to Gullah culture. Could it be possible they've run into a boo hag and didn't know it?
  • St. Helena Island family shares the history of their Gullah culture and the contributions of African Americans during a monthly campfire supper on their farm.
  • Jonathan Green says that he creates his art for a purpose: to educate and inspire. He describes the newly published collection of his paintings, Gullah Spirit, as a kind of call for a community of mothers working together like those who raised him. He believes mothers are better together raising children.
  • In Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (USC Press, 2021) musicologist Eric Crawford traces Gullah/Geechee songs from their beginnings in West Africa to their height as songs for social change and Black identity in the twentieth century American South. While much has been done to study, preserve, and interpret Gullah culture in the lowcountry and sea islands of South Carolina and Georgia, some traditions like the shouting and rowing songs have been all but forgotten. Crawford talks with Walter Edgar about his work, which focuses primarily on South Carolina's St. Helena Island, illuminates the remarkable history, survival, and influence of spirituals since the earliest recordings in the 1860s.
  • In Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (USC Press, 2021) musicologist Eric Crawford traces Gullah/Geechee songs from their beginnings in West Africa to their height as songs for social change and Black identity in the twentieth century American South. While much has been done to study, preserve, and interpret Gullah culture in the lowcountry and sea islands of South Carolina and Georgia, some traditions like the shouting and rowing songs have been all but forgotten. Crawford talks with Walter Edgar about his work, which focuses primarily on South Carolina's St. Helena Island, illuminates the remarkable history, survival, and influence of spirituals since the earliest recordings in the 1860s.
  • On this edition of the South Carolina Lede for August 7, 2021, we speak with musicologist Eric Sean Crawford, director of the The Joyner Institute at Coastal Carolina University. Crawford's new book Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (2021, USC Press) traces Gullah Geechee songs from their beginnings in West Africa to their height as songs for social change and Black identity in the 20th century American South.
  • Nearly two hours south of Charleston, over Beaufort's Woods Memorial Bridge, South Carolina's Sea Islands stretch out adorned with palms trees and pines,…
  • StoryCorps is an oral history project based on the idea that the stories of everyday people are the most important and interesting of all. In 2012, the…
  • 75% of all enslaved Africans coming to America came in through the ports of Charleston, Beaufort and Georgetown, South Carolina. The result of this…