The Arts

One of the wonderful aspects of life as a musician: age differences among players don’t mean anything. What counts is what kind of person you are, and how you make music.

One of the wonderful aspects of life as a musician: age differences among players don’t mean anything. What counts is what kind of person you are, and how you make music.

Professional opera singers often have to sing in languages with which they’re completely unfamiliar. And yet they’re expected to pronounce all the words correctly. How do they do it?

Like it or not, performers can’t help evaluating performance, especially in the cases of pieces we know or instruments we play.

It’s often easier to say what classical music is not, than to say what it is.

Most of what brass players do is done with the lips, and it’s invisible to us.

“B” is for Benbridge, Henry (1743-1812). Artist. When Charleston fell to the British, Benbridge was imprisoned in St. Augustine for his revolutionary fervor.

“B” is for Benbridge, Henry (1743-1812). Artist. When Charleston fell to the British, Benbridge was imprisoned in St. Augustine for his revolutionary fervor.

Chairs that are too low, too high, too hard, too slippery, or with seats tilted backward… they’re the bane of musicians’ existence.

Why should somebody else—anybody else, whether it’s a program annotator or a radio announcer—tell me that a piece of music is “sad,” or happy, or light, or charming, or profound, when no two people ever have precisely the same reaction to the same piece? One person’s “sad” may be another’s “noble,” and one person’s intense and penetrating may be another’s pretentious and annoying.