The most common tempo markings in music are words like allegro, adagio, and andante. But often composers indicate expression along with tempo, and this is when foreign-language dictionaries can come in handy. I could make a long list of interesting tempo and expression markings, but here are two of my favorites: Rasendes Zeitmass, Wild, Tonschönheit is nebensache: Racing tempo, Wild, Beauty of tone is irrelevant. That’s Paul Hindemith’s marking for the fourth movement of his Sonata for Solo Viola, Op. 25, No. 1.