Ella Taylor
Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.
Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.
Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.
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This slyly subversive revisionist take on an infamous Australian outlaw presents the burnished popular myth and a darker, brutal and tragicomic take alongside one another.
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Director Karyn Kusama has a history of films where women fight back. But Destroyer, despite its transformation of Nicole Kidman, fails to develop a compelling story to support that transformation.
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Susan Sarandon and Rose Byrne play mother and daughter in a story that, for once, recognizes that there's a solid argument to be made for a mom who gives, if anything, too much of herself.
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Argentina's premier tango couple is the subject of an ambitiously structured film that mixes dance with the story of a relationship that was both passionate and problematic.
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Julie Delpy directed and co-wrote the film in which she stars as a woman whose son is determined to break up her relationship with her new boyfriend.
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Director Trey Edward Shults expands his highly praised short into Krisha, a film drawn in part from his own family's story — and starring some of his relatives as well as himself.
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Cemetery Of Splendor, the latest from Thai director Apichatpong Weerasethakul, beautiful imagery accompanies a story of believers and the healing of mysteriously sleeping soldiers.
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While Raceis, for a while, a conventional athlete biopic, once the story begins to balance the many forces that pulled on Owens and complicated his story, it gets more interesting.
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Irish writer-director Gerard Barrett gets fine performances from Jack Reynor and Toni Collette in this story of a young man who bears the burden of caring for his alcoholic mother.
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Rams, an Icelandic film that follows two feuding brothers through a crisis and a long winter, is an intense and tender tone piece that conveys deep and bitter loneliness.