Karen Grigsby Bates
Karen Grigsby Bates is the Senior Correspondent for Code Switch, a podcast that reports on race and ethnicity. A veteran NPR reporter, Bates covered race for the network for several years before becoming a founding member of the Code Switch team. She is especially interested in stories about the hidden history of race in America—and in the intersection of race and culture. She oversees much of Code Switch's coverage of books by and about people of color, as well as issues of race in the publishing industry. Bates is the co-author of a best-selling etiquette book (Basic Black: Home Training for Modern Times) and two mystery novels; she is also a contributor to several anthologies of essays. She lives in Los Angeles and reports from NPR West.
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Longtime NPR correspondent Ina Jaffe has died. She was 75 years old, and had been living with cancer for the past few years.
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We've heard about Rosa Parks and her crucial role in the Montgomery bus boycott. But Parks was just one of many women who organized for years. In this episode, those women tell their own story.
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Butts died Friday at home New York of pancreatic cancer. He was 73. The pastor and powerbroker lived a life filled with prayer and political activism.
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Four NPR staffers recommend new novels in an early taste of our annual Books We Love round-up: "How High We Go in the Dark," "Vladimir," "Mecca" and "The Candy House."
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NPR's Karen Grigsby Bates from the podcast Code Switch talks with journalist Linda Villarosa about how COVID exposed racial disparities in all aspects of the health care system.
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Constance Baker Motley's life—as a lawyer, as a politician and the first Black woman appointed to the Federal bench – is outlined in a new biography by author Tomiko Brown-Nagin: Civil Rights Queen.
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Tributes have cascaded in since Sidney Poitier died. And so they should have. He was an unparalleled actor, a committed activist, and a beloved family member. He was also, frankly, a heartthrob.
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In her debut book, My Monticello, author Jocelyn Nicole Johnson asks what it means to claim a home in a place like Charlottesville, Va., — where whom the city belongs to has long been in question.
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When Bethany Morrow was asked to write a new take on the beloved classic, she agreed on one condition: The new March family would look nothing like the old.