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Spoleto Backstage: Norman, Telemann, Rachmaninoff, And Pedja Muzijevic

South Carolina Public Radio

In this episode of Spoleto Backstage, Geoff Nuttall and Bradley Fuller look back on a concert performed as part of the 2016 Spoleto Festival Chamber Music Series. After discussing what makes it one of the most memorable performances from the past decade of the series, the two enjoy a listen to the program. Andrew Norman’s Garden of Follies comes first, featuring oboist James Austin Smith and pianist Pedja Muzijevic. Next is a baroque-era work inspired by a Cervantes novel: Georg Philipp Telemann’s Ouverture-Suite, TWV 55:G10 “Burlesque de Quixotte.” The concert concludes with Sergei Rachmaninoff’s Sonata in G minor for Cello and Piano, op. 19, performed by cellist Alisa Weilerstein and pianist Inon Barnatan. After the concert, Bradley catches up with pianist and chamber-series regular Pedja Muzijevic to learn more about his current projects, programming decisions, and musical career—including what makes his involvement with Spoleto Festival so rewarding.

Attending a concert might be off the table right now, but you can relax just where you are as South Carolina Public Radio brings the concert to you with this podcast. Spoleto Backstage offers a curated lineup of phenomenal musical moments from past seasons of Spoleto Festival USA as chosen by violinist and chamber music series artistic director Geoff Nuttall. Geoff joins Bradley Fuller, host and producer of South Carolina Public Radio’s Sonatas & Soundscapes, for insights and fun conversations about how he picked his favorite performances form the past ten years. Geoff and Bradley also hear from some of the fascinating stars of the festival’s chamber music series, learning more about their careers, the music they perform, and a range of amusing behind-the-scenes happenings.

You can subscribe to Spoleto Backstage in Apple Podcasts, Google Play, and Stitcher.

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Originally from Greenwood, SC, Bradley Fuller has maintained a deep interest in classical music since the age of six. With piano lessons throughout grade school and involvement in marching and concert bands on the saxophone, Bradley further developed musical abilities as well as an appreciation for the importance of arts education.