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  • You may have noticed that our state has several cities, towns, and counties named after places in England. And a lot of them are concentrated between Columbia and Charlotte. Over the past several years, this area has been developing an economic identity all its own. Mike Switzer interviews Jenny Parrish, executive director of our state’s Olde English District in Fort Lawn, SC.
  • A family calls on Rudy to help identify some of the things that they found walking in the Appalachian Mountains.
  • Ruddy shares a quote from Richard Jeffries' novel, "The Dewy Morn."
  • A listener, cleaning up the roadside, finds the remains of an opposum.
  • Although they had similar training and came under many of the same influences, Debussy's and Ravel's musical styles and techniques were really quite different.
  • In the long run, the judgment of the public is much more important than that of the critics, and the music that lasts is the music that moves people
  • The composer is the creator, and long after even the most brilliant and famous performers of the moment are forgotten, it’s the music that will remain.
  • Many composers over the years have tried to express in writing what the music of Mozart has meant to them—and to the world.
  • Barnwell County, SC is a place of timeless beauty, but for many residents it’s also a place with no future for growth or work. On the third episode of InDebted, we explore how a lack of opportunities passed down through generations is the backdrop for one of the worst places for debt in the United States and how for many the only way to get ahead is to go somewhere else.
  • “N” is for Negro Seamen Acts. While the mobility of free blacks was generally restricted before the Civil War, the Negro Seaman Acts were unique laws. During the antebellum era they proliferated along the southern coastal states. South Carolina was the first to pass such a law in the aftermath of the Denmark Vesey conspiracy. The goal of the legislation was to forestall potentially dangerous contact between nonresident free blacks and enslaved persons. By its provisions, free black sailors on board ships from outside South Carolina were incarcerated in local jails for the duration of the ship’s visit. Ship captains were responsible for paying the costs incurred. If a captain refused or left without him, the jailed black sailor could be sold as a slave. The Negro Seaman Acts contributed to rising antebellum sectional tensions.
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