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  • New York Times columnist Joe Nocera says the Tyco case and similar high-profile prosecutions are having an impact on boards of directors. Several trials involving corporate malfeasance are still pending, including the case against Enron's Jeffrey Skilling and Kenneth Lay.
  • Silicon Valley Bank was not a household name. For four decades, SVB successfully competed with big name financial institutions only to come crumbling down in a matter of days.
  • A documentary deconstructs the true crime genre, an obsessive worms his way into a pop star's entourage, and more standouts from Sundance 2025.
  • A judge unsealed new evidence about Trump’s actions on Jan. 6. And, a jury begins deliberations in the brutal police beating case of Tyre Nichols.
  • Science is under attack from quack experts and self-appointed activists, warns a top doctor who has been caught in the crossfires. He makes the case.
  • In the advertising world of Madison Avenue, three-martini lunches and chain smoking in the office are long gone. But women and minorities are still struggling to make inroads at the top agencies.
  • On June 17, 2015, twelve members of the historically black Emanuel AME Church in Charleston, South Carolina welcomed a young white man to their evening Bible study. He arrived with a pistol, 88 bullets, and hopes of starting a race war. Dylann Roof’s massacre of nine innocents during their closing prayer horrified the nation. Two days later, some relatives of the dead stood at Roof’s hearing and said, “I forgive you.” That grace offered the country a hopeful ending to an awful story. But for the survivors and victims’ families, the journey had just begun.
  • In his new novel, Raptors in the Ricelands, Ron Daise unfolds a story in a twenty-first century fictional community near Georgetown, SC - a story which reveals family secrets and conflicts that challenge cultural beliefs. Conveyed in four acts and with chapter names that follow the production stages of Carolina Gold Rice, the novel spans the future, the present, and the past, and fosters a message of connection with African diasporic communities around the globe.
  • “C” is for Chapman, Martha Marshall, II (b. 1949). Musician. Classified by many as a country-music artist, Martha Marshall Chapman,II, and her style nonetheless have been difficult to categorize.
  • “C” is for Chapman, Martha Marshall, II (b. 1949). Musician. Classified by many as a country-music artist, Martha Marshall Chapman,II, and her style nonetheless have been difficult to categorize.
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