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  • Another of its pollinators are the predatory wasps who capture insects to line soil cavities or stems as paralyzed, but living , food for their young. Most are solitary wasps who are not especially aggressive to us.
  • The rusty blackbird (Euphagus carolinus) is a medium-sized New World blackbird, closely related to grackles ("rusty grackle" is an older name for the species). It is a bird that prefers wet forested areas, breeding in the boreal forest and muskeg across northern Canada, and migrating southeast to the United States during winter.
  • Miles Hoffman continues his discussion about the birth and evolution of the overture.
  • The first American Arbor Day was originated by J. Sterling Morton of Nebraska City, Nebraska, at an annual meeting of the Nebraska State board of agriculture held in Lincoln. On April 10, 1872, an estimated one million trees were planted in Nebraska. Birdsey Northrop of Connecticut was responsible for globalizing the idea when he visited Japan in 1883 and delivered his Arbor Day and Village Improvement message. In that same year, the American Forestry Association made Northrop the Chairman of the committee to campaign for Arbor Day nationwide. He also brought his enthusiasm for Arbor Day to Australia, Canada, and Europe.
  • For people, shelling them is a laborious process and the tools used include hammers, vises, and a peculiar item called the Texas York Nut Sheller.
  • Rudy shares a quote from Amiel's Journal, by Henri-Frédéric Amiel.
  • Felix Mendelssohn led a performance that reintroduced Bach’s masterpiece to the musical public. And that reintroduction led to the rediscovery and reevaluation of many other works by Bach.
  • Ginastera was undoubtedly the most important Argentinean composer of the twentieth century.
  • The red-tailed hawk (Buteo jamaicensis) is a bird of prey that breeds throughout most of North America, from the interior of Alaska and northern Canada to as far south as Panama and the West Indies.
  • Since The Birth of a Nation became the first Hollywood blockbuster in 1915, movies have struggled to reckon with the American South—as both a place and an idea, a reality and a romance, a lived experience, and a bitter legacy. In The South Never Plays Itself: A Film Buff’s Journey Through the South on Screen (2023, UGA Press), author and film critic B. W. Beard explores the history of the Deep South on screen, beginning with silent cinema and ending in the streaming era. Beard talks with Walter Edgar about what the movies got right, and what stereotypes they created or perpetuate.
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