culture

In War Stuff: The Struggle for Human and Environmental Resources in the American Civil War, her path-breaking work on the American Civil War, Joan E. Cashin explores the struggle between armies and civilians over the resources necessary to wage war.This war 'stuff' included the skills of white Southern civilians, as well as such material resources as food, timber, and housing. At first, civilians were willing to help Confederate or Union forces, but the war took such a toll that all civilians, regardless of politics, began focusing on their own survival. Dr. Cashin talks about this history with Walter Edgar, and about the efforts of historians to establish a precedent for the study of material objects as a way to shed new light on the social, economic, and cultural history of the conflict.

In this week's episode of Walter Edgar's Journal, Richard Gergel details the impact of the 1946 blinding of Sergeant Isaac Woodard on both President Harry S. Truman and Judge J. Waties Waring, and traces their influential roles in changing the course of America's civil rights history.Woodard, a returning, decorated African American veteran of World War II, was removed from a Greyhound bus in Batesburg, South Carolina, after he challenged the bus driver’s disrespectful treatment of him. Woodard, in uniform, was arrested by the local police chief, Lynwood Shull, and beaten and blinded while in custody.

In this week's episode of Walter Edgar's Journal, Richard Gergel details the impact of the 1946 blinding of Sergeant Isaac Woodard on both President Harry S. Truman and Judge J. Waties Waring, and traces their influential roles in changing the course of America's civil rights history.Woodard, a returning, decorated African American veteran of World War II, was removed from a Greyhound bus in Batesburg, South Carolina, after he challenged the bus driver’s disrespectful treatment of him. Woodard, in uniform, was arrested by the local police chief, Lynwood Shull, and beaten and blinded while in custody.

In the months following the May 1780 capture of Charleston, South Carolina, by combined British and loyalist forces, British soldiers arrested sixty-three paroled American prisoners and transported them to the borderland town of St. Augustine, East Florida—territory under British control since the French and Indian War.In their new book, Patriots in Exile: Charleston Rebels in St. Augustine during The American Revolution (2020, USC Press), James Waring McCrady and C. L. Bragg chronicle the banishment of these elite southerners, the hardships endured by their families, and the plight of the enslaved men and women who accompanied them, as well as the motives of their British captors.Bragg joins Walter Edgar to talk about this little known chapter of the Revolution.

In the months following the May 1780 capture of Charleston, South Carolina, by combined British and loyalist forces, British soldiers arrested sixty-three paroled American prisoners and transported them to the borderland town of St. Augustine, East Florida—territory under British control since the French and Indian War.In their new book, Patriots in Exile: Charleston Rebels in St. Augustine during The American Revolution (2020, USC Press), James Waring McCrady and C. L. Bragg chronicle the banishment of these elite southerners, the hardships endured by their families, and the plight of the enslaved men and women who accompanied them, as well as the motives of their British captors.Bragg joins Walter Edgar to talk about this little known chapter of the Revolution.

“J” is for Johns, Jasper (b. 1930). Artist. Jasper Johns is a pivotal figure of twentieth-century American art, occupying a critical position that mediates Abstract Expressionism, Pop Art, and Minimalism.

“J” is for Johns, Jasper (b. 1930). Artist. Jasper Johns is a pivotal figure of twentieth-century American art, occupying a critical position that mediates Abstract Expressionism, Pop Art, and Minimalism.

How did conceptions of a tradition-bound, "timeless" South shape Americans' views of themselves and their society's political and cultural fragmentations, following the turbulent 1960s? In his book, The South of the Mind: American Imaginings of White Southerness, 1960–1980 (2018, UGA Press), Zachary J. Lechner bridges the fields of southern studies and southern history in an effort to answer that question. Wide-ranging chapters detail the iconography of the white South during the civil rights movement; hippies' fascination with white southern life; the Masculine South of George Wallace, Walking Tall, and Deliverance; the differing southern rock stylings of the Allman Brothers Band and Lynyrd Skynyrd; and the healing southerners of Jimmy Carter. Zachary Lechner talks with Walter Edgar about how one cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted.

How did conceptions of a tradition-bound, "timeless" South shape Americans' views of themselves and their society's political and cultural fragmentations,…

How did conceptions of a tradition-bound, "timeless" South shape Americans' views of themselves and their society's political and cultural fragmentations, following the turbulent 1960s? In his book, The South of the Mind: American Imaginings of White Southerness, 1960–1980 (2018, UGA Press), Zachary J. Lechner bridges the fields of southern studies and southern history in an effort to answer that question. Wide-ranging chapters detail the iconography of the white South during the civil rights movement; hippies' fascination with white southern life; the Masculine South of George Wallace, Walking Tall, and Deliverance; the differing southern rock stylings of the Allman Brothers Band and Lynyrd Skynyrd; and the healing southerners of Jimmy Carter. Zachary Lechner talks with Walter Edgar about how one cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted.