Katie Presley
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The Swedish singer's third album forms the final installment in a conceptual trilogy — and it's extraordinary as both a collection of songs and a tactical re-wiring of her genre's circuit board.
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The first solo album from the former Distillers singer feels like a time capsule from the '90s — when powerful, not conventionally pretty vocals attained massive mainstream cultural capital.
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Every defiant growl, jaded vocal fry and distorted guitar lick on Annie Clark's fourth album flirts with the avant garde, yet uses an accessible, if inventive, musical vocabulary to do so.