Robert Krulwich
Robert Krulwich works on radio, podcasts, video, the blogosphere. He has been called "the most inventive network reporter in television" by TV Guide.
Krulwich is the co-host of WNYC's Radiolab, a radio/podcast series distributed nationally by NPR that explores new developments in science for people who are curious but not usually drawn to science shows. Radiolab won a Peabody Award in 2011.
His specialty is explaining complex subjects, science, technology, economics, in a style that is clear, compelling and entertaining. On television he has explored the structure of DNA using a banana; on radio he created an Italian opera, "Ratto Interesso" to explain how the Federal Reserve regulates interest rates; he has pioneered the use of new animation on ABC's Nightline and World News Tonight.
For 22 years, Krulwich was a science, economics, general assignment and foreign correspondent at ABC and CBS News.
He won Emmy awards for a cultural history of the Barbie doll, for a Frontline investigation of computers and privacy, a George Polk and Emmy for a look at the Savings & Loan bailout online advertising and the 2010 Essay Prize from the Iowa Writers' Workshop.
Krulwich earned a Bachelor of Arts degree in history from Oberlin College and a law degree from Columbia University.
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Ready, get set, go! Let's compare a sperm whale plowing through the ocean to a human sperm plowing through a glass of water: The whale barely notices the water it's in; the sperm — oh, gee — it's got a problem. How it solves that problem — being much closer to the size of the water molecules around it — is ... well, masterful.
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What surgeons see when they open us up and look inside is not pretty — unless you're a surgeon. But when designer Kelli Anderson opens us up, we are feathery, pipe filled, ivory-boned, wired, clean, elegant — just gorgeous. Plus, we are entirely made of colored paper. Check out this new transparent (and interactive!) human body — perfect for kids.
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Why did it take cells so long to link together and form tissues, organs, you, me, turtles, daisies? There was a couple of billion year pause before cells became multicellular. How come? With brilliant designer Paolo Ceric, we consider this puzzle of life.
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Spring comes, then summer, fall and winter and if you are off the planet with a camera looking down at Earth, the seasons seem like breaths. Speed up the imagery, and the planet seems to pulse, like a living thing. Take a look at what designer John Nelson has done. It's uncanny.
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You don't expect fourth-graders to be wise. They're still boys. But one, who was playing and ruminating on his back patio, had a knack for cosmology seemingly well beyond his years.
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You can go to almost any cubic foot of ocean, stream, coral, backyard, ice shelves even, and if you look, you'll find scores of little animals and plants busy making a living. But here's a place — a beautiful, bountiful place — that when you look close — is a desert.
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Moths and butterflies radically change shape as they grow, from little wormy caterpillar critters to airborne beauties. Why are they born this way? Could they actually be separate organisms?
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If we don't notice that animals are in deep decline, do we keep eating and eating until what is disappearing is gone permanently? Or do we unconsciously adjust?
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If we don't notice that animals are in deep decline, do we keep eating and eating until what is disappearing is gone permanently? Or do we unconsciously adjust?
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Two artists, both of whom died in their 30s, offer starkly different perspectives on their impending deaths. Says one: "I am all emptiness and futility. I am an empty stranger, a carbon copy of my form." The other painted until his dying day.