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Behind every legendary performance, groundbreaking recording, and thriving jazz scene, there’s often an unsung hero: the jazz impresario. These visionaries champion artists, build audiences, and create the spaces where jazz flourishes.
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Before bebop and the cool jazz era, swing dancing was the heartbeat of American nightlife. In the 1930s and ’40s, big bands filled ballrooms with lively rhythms that practically lifted dancers off the floor.
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If there’s one sound that defines classic jazz, it’s the feel of swing. At its core, swing comes from dividing the beat into uneven triplets, creating that long-short “da-DUM, da-DUM” feel that propels the music forward.
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While jazz is an art form, it’s also a living science of sound. Every note we play, and every chord we shape, is based on the physics of vibration.
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Few places in American music history carry the weight and legacy of Minton’s Playhouse. Tucked inside Harlem’s Hotel Cecil, Minton’s became the beating heart of innovation in the 1940s, a sanctuary where musicians pushed boundaries and reshaped the future of jazz.
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Yoshi’s began in 1972 as a small Japanese restaurant near the University of California, Berkeley, but it quickly became a gathering spot for musicians, students, and artists eager for live improvisation.
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Chicago’s Jazz Showcase is one of the great guardians of the music. Founded in 1947 by Joe Segal, the venue became a home for the biggest names in jazz.
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Chicago’s Green Mill Cocktail Lounge is among the oldest continuously operating jazz clubs in the country, with a history that reflects a slice of American nightlife.
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Mike Switzer interviews Nate Terracio, director of the Koger Center for the Arts in Columbia, SC.
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Mike Switzer interviews Nate Terracio, director of the Koger Center for the Arts in Columbia, SC.