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  • In the months following the May 1780 capture of Charleston, South Carolina, by combined British and loyalist forces, British soldiers arrested sixty-three paroled American prisoners and transported them to the borderland town of St. Augustine, East Florida—territory under British control since the French and Indian War.In their new book, Patriots in Exile: Charleston Rebels in St. Augustine during The American Revolution (2020, USC Press), James Waring McCrady and C. L. Bragg chronicle the banishment of these elite southerners, the hardships endured by their families, and the plight of the enslaved men and women who accompanied them, as well as the motives of their British captors.Bragg joins Walter Edgar to talk about this little known chapter of the Revolution.
  • In the months following the May 1780 capture of Charleston, South Carolina, by combined British and loyalist forces, British soldiers arrested sixty-three paroled American prisoners and transported them to the borderland town of St. Augustine, East Florida—territory under British control since the French and Indian War.In their new book, Patriots in Exile: Charleston Rebels in St. Augustine during The American Revolution (2020, USC Press), James Waring McCrady and C. L. Bragg chronicle the banishment of these elite southerners, the hardships endured by their families, and the plight of the enslaved men and women who accompanied them, as well as the motives of their British captors.Bragg joins Walter Edgar to talk about this little known chapter of the Revolution.
  • “J” is for Johns, Jasper (b. 1930). Artist. Jasper Johns is a pivotal figure of twentieth-century American art, occupying a critical position that mediates Abstract Expressionism, Pop Art, and Minimalism.
  • “J” is for Johns, Jasper (b. 1930). Artist. Jasper Johns is a pivotal figure of twentieth-century American art, occupying a critical position that mediates Abstract Expressionism, Pop Art, and Minimalism.
  • How did conceptions of a tradition-bound, "timeless" South shape Americans' views of themselves and their society's political and cultural fragmentations, following the turbulent 1960s? In his book, The South of the Mind: American Imaginings of White Southerness, 1960–1980 (2018, UGA Press), Zachary J. Lechner bridges the fields of southern studies and southern history in an effort to answer that question. Wide-ranging chapters detail the iconography of the white South during the civil rights movement; hippies' fascination with white southern life; the Masculine South of George Wallace, Walking Tall, and Deliverance; the differing southern rock stylings of the Allman Brothers Band and Lynyrd Skynyrd; and the healing southerners of Jimmy Carter. Zachary Lechner talks with Walter Edgar about how one cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted.
  • How did conceptions of a tradition-bound, "timeless" South shape Americans' views of themselves and their society's political and cultural fragmentations,…
  • Porch, rocking chairs, coffee cups
    The South of the mind: American imaginings of White Southerness
    How did conceptions of a tradition-bound, "timeless" South shape Americans' views of themselves and their society's political and cultural fragmentations, following the turbulent 1960s? In his book, The South of the Mind: American Imaginings of White Southerness, 1960–1980 (2018, UGA Press), Zachary J. Lechner bridges the fields of southern studies and southern history in an effort to answer that question. Wide-ranging chapters detail the iconography of the white South during the civil rights movement; hippies' fascination with white southern life; the Masculine South of George Wallace, Walking Tall, and Deliverance; the differing southern rock stylings of the Allman Brothers Band and Lynyrd Skynyrd; and the healing southerners of Jimmy Carter. Zachary Lechner talks with Walter Edgar about how one cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted.
  • "S" is for South Carolina Medical Association. In 1814, members of the Medical Society of South Carolina—largely a Charleston organization—founded the South Carolina Medical Association (SCMA) in an effort to organize physicians across the state.
  • "S" is for South Carolina Medical Association. In 1814, members of the Medical Society of South Carolina—largely a Charleston organization—founded the South Carolina Medical Association (SCMA) in an effort to organize physicians across the state.
  • "S" is for South Carolina Highway Patrol. Operating under the South Carolina Department of Public Safety, the South Carolina Highway Patrol is a law enforcement organization that concentrates on traffic violations.