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Recently appointed Music Director of the Greenville Symphony Orchestra, the 37-year-old conductor is excited to showcase what he sees as a gem of an organization and build community through the arts.
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Ahead of her appearance with the South Carolina Philharmonic on Saturday for a concert marking the centennial of Rhapsody in Blue, Downes reflects on the scope and legacy of George Gershwin's most iconic work.
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Musicians from the University of South Carolina's Wind Ensemble and Experimental Music Workshop are set to sonically transform the museum for the premiere of a "poetic recreation of natural environments" by composer Michael Pisaro-Liu.
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The 22-year-old pianist and Honens prizewinner is back in South Carolina, excited for the chance to take on two formidable piano concertos in a single program.
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Like it or not, performers can’t help evaluating performance, especially in the cases of pieces we know or instruments we play.
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It’s often easier to say what classical music is not, than to say what it is.
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In the bad old days of symphony orchestras in this country, music directors were absolute dictators, and orchestra musicians had few protections. If a music director woke up in a bad mood and decided to fire an orchestra musician on the spot, he could… never mind that it might instantly deprive that musician of his livelihood.
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In the bad old days of symphony orchestras in this country, music directors were absolute dictators, and orchestra musicians had few protections. If a music director woke up in a bad mood and decided to fire an orchestra musician on the spot, he could… never mind that it might instantly deprive that musician of his livelihood.
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Do you agree with the judgment that the two greatest composers of the late Baroque were Bach and Handel? Well, that means, unavoidably, that the rest of the late Baroque composers weren’t as good.
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Do you agree with the judgment that the two greatest composers of the late Baroque were Bach and Handel? Well, that means, unavoidably, that the rest of the late Baroque composers weren’t as good.
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He may not be well know to the general public today, but, yet Philippe Gaubert was one of the most famous and important French musicians of the first half of the twentieth century.