This week we’ll be talking with former poet laureate of South Carolina, Marjory Wentworth about her new collection of poems entitled One River, One Boat (Evening Post Books, 2024). This collection of occasional poems and essays includes those written about heartbreaking and joyous times in South Carolina’s history and Wentworth’s own life including the deaths of relatives, gubernatorial inaugurations, the Mother Emmanuel AME massacre, Hurricane Hugo, and more.

The orchestra's opening weekend is not only going on as planned in the wake of Helene, but expanding to include an outdoor broadcast. As Greenville Symphony Executive Director Jessica Satava and Music Director Lee Mills share, Beethoven's landmark Symphony No. 9 is a work of music that promises to resonate powerfully with a hard-hit community.

Recently appointed Music Director of the Greenville Symphony Orchestra, the 37-year-old conductor is excited to showcase what he sees as a gem of an organization and build community through the arts.

Ahead of her appearance with the South Carolina Philharmonic on Saturday for a concert marking the centennial of Rhapsody in Blue, Downes reflects on the scope and legacy of George Gershwin's most iconic work.

The keyboard instrument’s collaborative side is set to be showcased in a range of performances at this year’s BravoPiano! Festival, presented by the Hilton Head International Piano Competition.

The renowned bassist and rising violinist prepare to take the stage at Johnson Hall on Saturday for a performance featuring a duo the father-son team wrote together and other selections of a not-quite-so-classical sort—including fiddle tunes.

The original version of Edmund Thornton Jenkins’ Lowcountry-inspired orchestral rhapsody is set to be performed for the first time in the composer’s home state on Saturday, part of a Gaillard Center presentation culminating the Colour of Music Festival's Black History Month Concert Series.

Musicians from the University of South Carolina's Wind Ensemble and Experimental Music Workshop are set to sonically transform the museum for the premiere of a "poetic recreation of natural environments" by composer Michael Pisaro-Liu.

The 22-year-old pianist and Honens prizewinner is back in South Carolina, excited for the chance to take on two formidable piano concertos in a single program.

Like it or not, performers can’t help evaluating performance, especially in the cases of pieces we know or instruments we play.