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Recently appointed Music Director of the Greenville Symphony Orchestra, the 37-year-old conductor is excited to showcase what he sees as a gem of an organization and build community through the arts.
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Ahead of her appearance with the South Carolina Philharmonic on Saturday for a concert marking the centennial of Rhapsody in Blue, Downes reflects on the scope and legacy of George Gershwin's most iconic work.
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The original version of Edmund Thornton Jenkins’ Lowcountry-inspired orchestral rhapsody is set to be performed for the first time in the composer’s home state on Saturday, part of a Gaillard Center presentation culminating the Colour of Music Festival's Black History Month Concert Series.
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Executive Director Jessica Satava shares about the diverse performances and community engagement opportunities coming to Greenville as the city's orchestra searches for its next music director.
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The Chicago Sinfonietta Music Director looks forward to playing "the biggest instrument in the room" for one of her favorite programs: orchestral works by Florence Price, Michael Abels, and Antonín Dvořák.
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Conductor Jonathon Heyward shares how his rise in the world of classical music started with arts education in the South Carolina county where he grew up.
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Over eighty string instruments owned by European Jews before and during the Holocaust have been carefully restored by violin makers Amnon and Avshi Weinstein. For the next several weeks, South Carolinians will be able to see these instruments and hear them played in a range of concerts, presentations, and exhibits across the state.
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The Colour of Music Festival features Black classical musicians who make up fewer than 2% of the nation's orchestras.
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Ahead of his work's January 7th premiere, Edward Hart explains how he hopes to evoke the Lowcountry's checkered past and promising future through music.
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The Music Director of the Columbia-based orchestra shares about his decision to remain on the Koger Center podium and gives a glimpse of this year's six Masterworks Series concerts