Orchestra

Executive Director Jessica Satava shares about the diverse performances and community engagement opportunities coming to Greenville as the city's orchestra searches for its next music director.

The Chicago Sinfonietta Music Director looks forward to playing "the biggest instrument in the room" for one of her favorite programs: orchestral works by Florence Price, Michael Abels, and Antonín Dvořák.

Conductor Jonathon Heyward shares how his rise in the world of classical music started with arts education in the South Carolina county where he grew up.

Over eighty string instruments owned by European Jews before and during the Holocaust have been carefully restored by violin makers Amnon and Avshi Weinstein. For the next several weeks, South Carolinians will be able to see these instruments and hear them played in a range of concerts, presentations, and exhibits across the state.

The Colour of Music Festival features Black classical musicians who make up fewer than 2% of the nation's orchestras.

Ahead of his work's January 7th premiere, Edward Hart explains how he hopes to evoke the Lowcountry's checkered past and promising future through music.

The Music Director of the Columbia-based orchestra shares about his decision to remain on the Koger Center podium and gives a glimpse of this year's six Masterworks Series concerts

Today, I thought we’d take a metallurgical tour of the orchestra. The bars, for example, of glockenspiels and celestas are made of steel. So are some of…

They are sure signs of Spoleto in downtown Charleston; instrument toting musicians and scorching heat. Among the jostling violin cases, is Shannon…

Traditionally, a night at the symphony has entailed dressing up. For performers and audience members alike, the sight of a sharply-dressed crowd is nearly…